Showing posts with label all music guide. Show all posts
Showing posts with label all music guide. Show all posts

Saturday, May 14, 2011

THINGS WHAT I HAVE WROTE

From Altpress.com:

SWIMMING WITH DOLPHINS
Water Colours (Tooth & Nail)
This synth-based project from Austin Tofte, formerly affiliated with Owl City, blends a million indie-pop moves in mostly entertaining, occasionally toothache-inducing ways. “Easy” could be a ’90s rave anthem, while “Diplomat” sounds like one of those unfunny nerdy-white-guy covers of hip-hop songs (it’s not). “Jacques Cousteau” is VH1-ready fluff, with piano, drum machine and ’80s keyboard arpeggios adding up to a big cotton-candy ball of nothing—until a buzzing, Discovery-era Daft Punk-style keyboard solo mid-song vaults it into the land of awesomeness. Various female duet partners (Sarah Beintker on “Holiday” and “Sleep To Dream”; Sunsun on “Happiness”) transform already upbeat songs into ideal summer singles. Some might be tempted to blow this album off, fearing that it’s half-assed “chillwave” crap or just disappointed that “Holiday” isn’t a Madonna cover, “Good Times” (which features a guest rap verse by Mod Sun) is neither a Chic cover nor a version of the theme from the ’70s sitcom, and “Sleep To Dream” isn’t a Fiona Apple cover. Those would all be bad reasons to skip this record, which at its best reaches near-Pet Shop Boys levels of synth-pop brilliance (minus Neil Tennant’s heartbreakingly acerbic lyrical genius, of course). (Buy it from Amazon)

IN FEAR & FAITH
Symphonies EP (Rise)
Following the drama surrounding the departure of screamer Cody Anderson last year, In Fear and Faith have been left with only one vocalist: Scott Barnes. Consequently, on this stopgap seven-track EP of orchestral reworkings of old songs, he’s calling in old friends for help. Four tracks feature guest vocalists—Nick Martin of Destroy Rebuild Until God Shows on “Bones,” Tyler “Telle” Smith of The Word Alive on “The Taste Of Regret,” Caleb Shlomo of Attack Attack! on “The Solitary Life” and D.R.U.G.S. frontman Craig Owens on “The Road To Hell Is Paved With Good Intentions.” Smith, of course, was the band’s original clean singer, and recorded “The Taste Of Regret” on their debut EP, 2007’s Voyage, while Owens sang on “The Road To Hell…” in its original version, on 2009’s Your World On Fire.

The orchestral arrangements feature drums, keyboards and some subtle electronics, plus lots and lots of surging, swooping strings, and they reshape the songs pretty radically. “The Taste Of Regret” gets reworked most substantially; formerly four minutes and change, it’s now more than six minutes long. Whether this EP will appeal to anyone beyond In Fear And Faith’s most diehard fans is an open question; if these were the only versions of these songs to exist, it would be a downright bizarre stylistic choice. But if you like screamo/metalcore bands’ lyrics even if you think the music all sounds the same, this could help you make your case to skeptics. (Buy it from Amazon)

From Allmusic.com:

JD Allen Trio, Victory! (Buy it from Amazon)
Asking Alexandria, Reckless & Relentless (Buy it from Amazon)
Peter Brötzmann/Joe McPhee/Kent Kessler/Michael Zerang, Guts (Buy it from Amazon)
Gallhammer, The End (Buy it from Amazon)
Art Hirahara, Noble Path (Buy it from Amazon)
Indian, Guiltless (Buy it from Amazon)
Inzinzac, Inzinzac (Buy it from Amazon)
Memphis May Fire, The Hollow (Buy it from Amazon)
Primordial, Redemption at the Puritan's Hand (Buy it from Amazon)
Sylosis, Edge of the Earth (Buy it from Amazon)

Saturday, April 16, 2011

RECENT WRITINGS

First, from AltPress.com:

ASKING ALEXANDRIA
Reckless & Relentless (Sumerian)
Reckless & Relentless, the second full-length from U.K. electro-metalcore outfit Asking Alexandria, still features heavy doses of synth on a few tracks, but overall it’s much less rave-driven than their debut, 2009’s Stand Up And Scream. They’re indulging their inner rock ’n’ rollers more this time around; “Closure” may kick off with distorted beats, and a few digital stutters pop up here and there, but the main guitar riff sounds more like Avenged Sevenfold than anything else on Sumerian Records. “The Match” is similarly swaggering, until it becomes almost gabber techno in its final minute. “Someone, Somewhere” is the album’s biggest surprise—a damn catchy song with absolutely no screaming, it could easily find its way onto hard rock radio.

The band haven’t abandoned the downtuned, chugging breakdowns that were so key to their sound, of course; most of Reckless rumbles like a bulldozer in low gear trying to drive up a concrete staircase—when they’re not slowing down for the heartfelt sung parts. The final track, “Morte Et Dabo,” ends with an almost symphonic coda, like they’re auditioning to soundtrack the upcoming Conan movie. Asking Alexandria haven’t radically changed their sound, but there’s enough evolution on Reckless & Relentless to convince any listener that they’re more than metalcore also-rans or one-trick ponies. [Link]

Now, some AMG links:

AGF & Craig Armstrong, Orlando
Artillery, My Blood
Tim Berne, InSOMNIA
Blood Freak, Mindscraper
Buzzov*en, Revelation: Sick Again
Clutch, Blast Tyrant/Basket of Eggs
Despise You/Agoraphobic Nosebleed, And On and On...
Elonkorjuu, Harvest Time
Joe Fiedler Trio, Sacred Chrome Orb [NOT LIVE YET]
GridLink, Orphan
GusGus, Arabian Horse
Power Quest, Blood Alliance
Hans-Joachim Roedelius, Momenti Felici
Klaus Schulze, Big in Japan [NOT LIVE YET]
Sinister, Altered Since Birth 1990-2010
Sonic Liberation Front, Meets Sunny Murray
Winds of Plague, Against the World
Wormrot, Dirge

Sunday, April 03, 2011

APRIL AMG UPDATE

Here are 10 new reviews from All Music Guide:

Ben Allison, Action-Refraction
Los Amigos Invisibles, Not So Commercial
Amon Amarth, Surtur Rising
The Cookers, Cast the First Stone
Graveyard, Hisingen Blues
KEN Mode, Venerable
The Resurrection Sorrow, Hour of the Wolf
Scale the Summit, The Collective
Alex Skolnick Trio, Veritas
Subrosa, No Help for the Mighty Ones

Thursday, November 25, 2010

THANKSGIVING AMG UPDATE

Here's something for you to be thankful for: I've reviewed 10 more albums for All Music Guide! (Yay?) Here are the links:

Atheist, Jupiter
Chord, Progression
Crimson Glory, In Dark Places...1986-2000
Deathspell Omega, Paracletus
Evil Survives, Powerkiller
Place of Skulls, As a Dog Returns
Salome, Terminal
Sargeist, Let the Devil In
Supersilent, 10
War from a Harlots Mouth, MMX

Thursday, November 11, 2010

Thursday, June 03, 2010

MORE AMG REVIEWS

Here's the latest batch...

At the Soundawn, Shifting
Decrepit Birth, ...And Time Begins
Decrepit Birth, Diminishing Between Worlds
Dodsferd/Mortovatis, Until Your World Go Down
Harvestman/Minsk/U.S. Christmas, Hawkwind Triad
Lightning Swords of Death, The Extra Dimensional Wound
Little Women, Teeth
Rafael Toral, Space Elements, Vol. 2
Yakuza, Samsara
Yakuza, Transmutations

Saturday, May 22, 2010

RECENTLY AT AMG

Another burst of reviews have gone live; check 'em out...

At the Gates, Purgatory Unleashed: Live at Wacken
Peter Brötzmann/Paal Nilssen-Love, Woodcuts
Dead Fader, Corrupt My Examiner
Enforcer, Into the Night
Enforcer, Diamonds
Excepter, KA
I Am Abomination, To Our Forefathers
Karma to Burn, Appalachian Incantation
Vektor, Black Future

I also reviewed Glitterbug's Privilege, but that one wasn't run, so here 'tis:

GLITTERBUG
Privilege
German techno producer Till Rohmann, aka Glitterbug, releases a two-CD set of semi-ambient, somewhat minimalist tracks inspired by the international travel his DJ lifestyle permits him, and the thoughts that travel inspires re global inequality, et cetera. As the science fiction writer William Gibson has said, “The future is already here, it’s just not evenly distributed.” But this is entirely instrumental music, so it’s easy enough to throw it on and let all philosophical and ethical questions vanish, swept away on a wave of humming and whooshing synthesizer melodies and unobtrusively thumping beats. Much German techno rides a fine line between ambient-ish music and steady, trance-inducing beats just loud enough to seemingly counteract the soporific effects of the keyboards, and Glitterbug is definitely in that zone; some tracks, like “After All,” do rise to the point of some kind of crescendo, but it takes eight minutes to happen, so the home listener might be excused for making the “get-on-with-it” gesture a time or two as this double disc patiently unfolds. Ultimately, there’s enough beauty here to make Privilege a compelling listen, though.

Saturday, May 08, 2010

AMG UPDATE

Another two weeks, another 10 reviews:

1349, Demonoir
16, Curves That Kick and Drop Out
Coffinworm, When All Became None
Bako Dagnon, Sidiba
Paul Dunmall/Chris Corsano, Identical Sunsets
Excepter, Streams
The Howling Wind, Into the Cryosphere
Eyal Levi/Emil Werstler, Avalanche of Worms
Warbeast, Krush the Enemy

Wednesday, April 28, 2010