Showing posts with label peter brötzmann. Show all posts
Showing posts with label peter brötzmann. Show all posts

Saturday, May 14, 2011

THINGS WHAT I HAVE WROTE

From Altpress.com:

SWIMMING WITH DOLPHINS
Water Colours (Tooth & Nail)
This synth-based project from Austin Tofte, formerly affiliated with Owl City, blends a million indie-pop moves in mostly entertaining, occasionally toothache-inducing ways. “Easy” could be a ’90s rave anthem, while “Diplomat” sounds like one of those unfunny nerdy-white-guy covers of hip-hop songs (it’s not). “Jacques Cousteau” is VH1-ready fluff, with piano, drum machine and ’80s keyboard arpeggios adding up to a big cotton-candy ball of nothing—until a buzzing, Discovery-era Daft Punk-style keyboard solo mid-song vaults it into the land of awesomeness. Various female duet partners (Sarah Beintker on “Holiday” and “Sleep To Dream”; Sunsun on “Happiness”) transform already upbeat songs into ideal summer singles. Some might be tempted to blow this album off, fearing that it’s half-assed “chillwave” crap or just disappointed that “Holiday” isn’t a Madonna cover, “Good Times” (which features a guest rap verse by Mod Sun) is neither a Chic cover nor a version of the theme from the ’70s sitcom, and “Sleep To Dream” isn’t a Fiona Apple cover. Those would all be bad reasons to skip this record, which at its best reaches near-Pet Shop Boys levels of synth-pop brilliance (minus Neil Tennant’s heartbreakingly acerbic lyrical genius, of course). (Buy it from Amazon)

IN FEAR & FAITH
Symphonies EP (Rise)
Following the drama surrounding the departure of screamer Cody Anderson last year, In Fear and Faith have been left with only one vocalist: Scott Barnes. Consequently, on this stopgap seven-track EP of orchestral reworkings of old songs, he’s calling in old friends for help. Four tracks feature guest vocalists—Nick Martin of Destroy Rebuild Until God Shows on “Bones,” Tyler “Telle” Smith of The Word Alive on “The Taste Of Regret,” Caleb Shlomo of Attack Attack! on “The Solitary Life” and D.R.U.G.S. frontman Craig Owens on “The Road To Hell Is Paved With Good Intentions.” Smith, of course, was the band’s original clean singer, and recorded “The Taste Of Regret” on their debut EP, 2007’s Voyage, while Owens sang on “The Road To Hell…” in its original version, on 2009’s Your World On Fire.

The orchestral arrangements feature drums, keyboards and some subtle electronics, plus lots and lots of surging, swooping strings, and they reshape the songs pretty radically. “The Taste Of Regret” gets reworked most substantially; formerly four minutes and change, it’s now more than six minutes long. Whether this EP will appeal to anyone beyond In Fear And Faith’s most diehard fans is an open question; if these were the only versions of these songs to exist, it would be a downright bizarre stylistic choice. But if you like screamo/metalcore bands’ lyrics even if you think the music all sounds the same, this could help you make your case to skeptics. (Buy it from Amazon)

From Allmusic.com:

JD Allen Trio, Victory! (Buy it from Amazon)
Asking Alexandria, Reckless & Relentless (Buy it from Amazon)
Peter Brötzmann/Joe McPhee/Kent Kessler/Michael Zerang, Guts (Buy it from Amazon)
Gallhammer, The End (Buy it from Amazon)
Art Hirahara, Noble Path (Buy it from Amazon)
Indian, Guiltless (Buy it from Amazon)
Inzinzac, Inzinzac (Buy it from Amazon)
Memphis May Fire, The Hollow (Buy it from Amazon)
Primordial, Redemption at the Puritan's Hand (Buy it from Amazon)
Sylosis, Edge of the Earth (Buy it from Amazon)

Sunday, March 27, 2011

RECENTLY AT BURNING AMBULANCE

Here's the last two weeks' worth of content from BurningAmbulance.com:

March 14: a review of the latest Orthodox CD, Ba'al
March 15: an interesting half-hour documentary on Milford Graves and David Murray from German TV
March 21: a review of Woodcuts, a 2010 duo CD by Peter Brötzmann and Paal Nilssen-Love
March 23: a review of Cursed, the latest CD by Finnish grindcore band Rotten Sound
March 25: an interview with "rockjazz" pianist Eric Lewis, aka ELEW

Saturday, May 22, 2010

RECENTLY AT AMG

Another burst of reviews have gone live; check 'em out...

At the Gates, Purgatory Unleashed: Live at Wacken
Peter Brötzmann/Paal Nilssen-Love, Woodcuts
Dead Fader, Corrupt My Examiner
Enforcer, Into the Night
Enforcer, Diamonds
Excepter, KA
I Am Abomination, To Our Forefathers
Karma to Burn, Appalachian Incantation
Vektor, Black Future

I also reviewed Glitterbug's Privilege, but that one wasn't run, so here 'tis:

GLITTERBUG
Privilege
German techno producer Till Rohmann, aka Glitterbug, releases a two-CD set of semi-ambient, somewhat minimalist tracks inspired by the international travel his DJ lifestyle permits him, and the thoughts that travel inspires re global inequality, et cetera. As the science fiction writer William Gibson has said, “The future is already here, it’s just not evenly distributed.” But this is entirely instrumental music, so it’s easy enough to throw it on and let all philosophical and ethical questions vanish, swept away on a wave of humming and whooshing synthesizer melodies and unobtrusively thumping beats. Much German techno rides a fine line between ambient-ish music and steady, trance-inducing beats just loud enough to seemingly counteract the soporific effects of the keyboards, and Glitterbug is definitely in that zone; some tracks, like “After All,” do rise to the point of some kind of crescendo, but it takes eight minutes to happen, so the home listener might be excused for making the “get-on-with-it” gesture a time or two as this double disc patiently unfolds. Ultimately, there’s enough beauty here to make Privilege a compelling listen, though.

Thursday, March 11, 2010

FRIDAY AMG UPDATE

10 more reviews from Allmusic.com:

Acrassicauda, Only the Dead See the End of the War
Avsky, Scorn
Brötzmann/Kondo/Pupillo/Nilssen-Love, Hairy Bones
Chocquibtown, Oro
The Dillinger Escape Plan, Option Paralysis
Elephant9, Walk the Nile
Finntroll, Nifelvind
Kongh, Shadows of the Shapeless
Marc Mommaas, Landmarc
This Moment in Black History, Public Square